The 4th Annual
Night of Lurve love song competition took place at The George, Kilsby on Friday
2nd February. Originally launched in 2014 as our warm-up for
Valentines Day it has become a fixed feature in the Open Music Collective
calendar.
There were a number of
lessons that could be drawn from the evening. Mine, as compère, were quite
simple; no beer near PA! For the performers there seemed to be a distinct
advantage for those that played songs that were more familiar to them. Those
that chose previously unperformed material suffered from the lack of exposure.
Seasonal Lurgy had once more taken its toll among the regular performers and I hope that those that found themselves thus afflicted are already much recovered. You were missed.
Because of the relatively short list, all of the entries were completed by ten thirty. This meant that there was time for the winning performers to have another turn at the microphone; and we still had time for a collective 'Wagon Wheel' jam at the end, courtesy of Steve Edgar.
Because of the relatively short list, all of the entries were completed by ten thirty. This meant that there was time for the winning performers to have another turn at the microphone; and we still had time for a collective 'Wagon Wheel' jam at the end, courtesy of Steve Edgar.
While it was difficult for
some to grasp, voting for oneself was allowable. If you thought that your
performance was the best, then why not? But, in keeping with The Open Music
Collective tradition, the voting did reflect the quality of performances on the
night, and not the performers with the largest entourage. Interestingly, the band with the most members got the least number of votes.
Sadly, there was no
contingent from Napton this year, and they were sadly missed, though this might have been a blessing in as
much as someone else had a chance of winning for a change.
The evening got under way
with the order of performances being drawn. In order to be fair, as there is a perception that later
acts do have a slight advantage, possibly relating to the age of the audience and their capacity to remember, a randomising process took place. Thanks to audience member Janet for her assistance. On reflection, it may hav eproved completely unnecessary as the first two acts made their way into the topThis was followed by a summary of the
voting rules and an explanation of the way the evening would run.
Then, before the first act, a
poem.
Some Love Songs
some love songs they are very
sad
some of them are funny
some bring a tear drop to the
eye
some make your bits go runny
some love songs tell of
longings
that threaten to explode
while others tell of true
loves
a walking down the road
some love songs are for young
folk
just starting out in life
looking for a tender husband
or a pretty loving wife
some love songs are for older
folk
who haven't give' up yet
are just happy for some
int'rest
and take anything they can
get
it's a love song for a lover
it's a love song for a fool
it's for all those things you
wish
that they had taught you
while at school
it's the love songs got you
ready
when things were about to
start
it's what's happening in your
loins
it's what's happening in your
heart
some love songs they are
tragic
when everybody dies
and some of them are magic
with rainbows and butterflies
they leave you feeling
happier
though your heart is broke in
two
and that's the most important
job
a love song has to do
© George Houguez, 2018
The performers and their
competition entries:
Photographed by Debbie Smith |
The ice was broken by ODDS & ENDS, featuring Nigel Lewis and Darren Smith, with a little
help from Hedley warmed up with Sam Cooke's 'Wonderful World'. They were staying safe with their entry numbera song we have heard them perform a few times their entry was Ben E King's 'Stand By Me'. This was well delivered and that was reflected in the scoring.
Second up was IAN, a regular contributor to the Open Music Collective, created mayhem when his guitar seemed quiet. Lesson number two, don't assume a performer won't unplug their instrument just to prove to themselves it was plugged in. How the speakers survived I'll never know. His warm up was the Todd Rundgen classic, ' I saw the light'.
There aren't too many Tom Wait love songs to choose from, so Ian did well to find this one among Tom's repertoire as his competition entry; 'I Hope That I Don't Fall
In Love With You'.
In an oversight and a half, SANDI & TORGUL were left off the list. Sorry! Fortunately, on the off chance of a late arrival, two spare places had been put in and they were given one of those. They warmed up with a Lennon and McCartney song 'Things We Said Today'. Their official entry was a song called 'I Can't Love You Enough', by
someone with an L in their name; possibly Lavern Baker.
Frequent visitors PETE & MARION were the fourth up, warming up with Pete singing the lovely Lionel Richie song, 'Easy Like Sunday Morning', with Marion providing the "oohs" as backing vocals, and Pete improvising a delightful Kazoo solo in the place of the electric guitar. For their competition entry Marion was vocals for the Patsy Kline song 'Crazy'. The singing along started here, which might say something about the average age of the
audience. Pete runs a very pleasant sing around night at The Bull, Clifton.
Lew has been threatening to
visit us for such a long time, and it was great to have him with us this
evening.
Lew warmed up with Robert Burns', 'Green Grow The Rashes O', a song about the pleasure he found in the company of lasses. Lew's competition entry was a song of his own, 'The End is
Never Near'.
PADDY was on good form this evening with a couple of his own songs. Paddy's warm up was about all about gardening, 'Sowin' me seed bumkin' style'. There was a lot of forking, something about an overgrown bush and a clematis, but as I don't know much about gardening I didn't really understand much of it, and I've no idea why there was so much laughing.
His competition entry was 'The Anderson I Lurve'; a celebration of one of Paddy's cricketing heroes. This was sung to the familiar Bob Dylan tune 'Make You Feel My Love'. I jumped every time Paddy
shouted 'Owzat!'
MDF were without Banjo
Grandad and The Gurl, one was making haunted train noises, the other was under
a blanket covered in Vic; their absence was telling.
The warm up performance was
The Cure's 'Friday I'm in Love'. We should have gone with this as our entry. It
was a superb effort, possibly the best we have ever played it. Instead, our
official entry to the 2018 Night of Lurve was Josh Turner's 'The Longer The Waiting'. We
smashed this at rehearsal on Thursday night (honestly we did), and I was pretty confident of a
place for the band if not a win. Our lack of practice told, and on the night we were
terrible; the voting reflected it.
It has been a while since we last saw him, but for the love song competition, TONY COLLINS was back; no guitar, no auto harp but with his ukulele. Tony's warm up song was one we've heard him perform before,
The Haughton Weavers' 'Rooms In The Sky'. His entry was what is possibly the best known love song of all time, Eric Clapton's 'Wonderful Tonight'. I've not heard it played on a uke before and it really suited the song.
The final performance of the evening fell to last year's runner up, STEVE EDGAR, who also benefited from a little help from Hedley. This year he didn't fare quite so well in the scoring. His warm up song was Bob Dylan's 'One More Cup of Coffee'. Steve managed to sound suitably brooding and melancholy in what is quite a tricky song to deliver. Anyone who says bob Dylan can't sing should have a go at this one.
Steve's competition entry was Ketty Lester's, 'Love Letters Straight From Your Heart'.
While #1 Roadie added up the scores I sang a couple of songs and then the results were announced.
Steve's competition entry was Ketty Lester's, 'Love Letters Straight From Your Heart'.
While #1 Roadie added up the scores I sang a couple of songs and then the results were announced.
The voting for the top three places was as follows
Third place – Odds And Ends –
8 points
A box of Roses chocolates and a compilation CD of love songs.
A box of Roses chocolates and a compilation CD of love songs.
Second Place – Ian – 18 points
A bottle of Champagne, a box of Roses chocolates and a compilation CD of love songs
First Place – Lew Bear – 22
points
Dinner for two at The George, courtesy of Prasath, a bottle of Champagne and a compilation CD of love songs.
Ian and Lew were invited up to sing a few more songs. Ian giving us on of his favourite Tom Waits songs 'Chocolate Jesus' and Lew Bear with his own true story of a crow named Charlie, called 'Charlie The Crow' and a wonderful parody of Wild Rover
The evening ended with a melee of performers gathering for a rowdy rendition of Guy Clarke's Wagon Wheel with Ross and Ian providing vocals and everyone else joining in.
Dinner for two at The George, courtesy of Prasath, a bottle of Champagne and a compilation CD of love songs.
Ian and Lew were invited up to sing a few more songs. Ian giving us on of his favourite Tom Waits songs 'Chocolate Jesus' and Lew Bear with his own true story of a crow named Charlie, called 'Charlie The Crow' and a wonderful parody of Wild Rover
The evening ended with a melee of performers gathering for a rowdy rendition of Guy Clarke's Wagon Wheel with Ross and Ian providing vocals and everyone else joining in.
We are back together at The George again for a regular Open Music Night on Friday 2nd March. It would be great to see you there.
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